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He returned to technothrillers for a while after that, calming his critics by writing The Lost World (1995), his only sequel Airframe, a book ostensibly about an incident on an airplane but more substantially about irresponsible journalism Timeline, a foray into Time Travel which subverted Ye Goode Olde Days in a memorable fashion, and Prey, about runaway nanotechnology. He followed that up with Disclosure, a gender role reversal of a typical sexual harassment case set in an early-'90s technology company. The point was rendered moot with the collapse of the Tiger economy, making Crichton seem rather paranoid in the process. Those versed in economics point out that he broke several laws of the universe (including making the standard "export good, import bad" mistake) in order to set up the Japanese as the Big Bad poised to conquer the world, though this did not seem to detract from its popularity at the time.
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Film adaptations of Crichton's works also became suddenly commonplace, including adaptations of Congo and Sphere, although all but Jurassic Park were met with mostly negative reactions.Ĭrichton realized that Jurassic Park provided him with significant Protection from Editors, and took advantage of this to begin writing more controversial fare: Rising Sun, which analyzed USJapanese relations most specifically the statement that "Business Is War". Not only did it sell millions of copies worldwide and get adapted into a massively successful film by Steven Spielberg (in fact, the highest-grossing ever made at the time), it sparked a renewed interest in Crichton, his older books getting reprinted and bought on a large scale, including A Case of Need, the nonfiction Five Patients, and the John Lange-era Binary. In 1990 he released his most successful work, the novel Jurassic Park, about a theme park where dinosaurs are created using genetic engineering. Many of Crichton's fans regard Sphere as his finest work. Nonetheless, by the end of the 1970s Crichton was a very wealthy man.Īfter a long hiatus during the eighties, during which Crichton traveled extensively and became interested in mystical concepts such as ESP, he returned to fiction writing with Sphere, which combined his trademark hard-line science with more fanciful ideas about psychic powers. All of the aforementioned were snapped up by Hollywood, although Congo and Eaters of the Dead were not filmed until the 1990s. He compounded his success with popular novels such as The Great Train Robbery, a somewhat fictionalized historical novel about the Great Robbery of 1885, and Congo, a modern take on old-fashioned African adventure stories, as well as the less popular The Terminal Man and The 13th Warrior. It was a surprising runaway success, establishing Crichton very rapidly.
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His first novel under his own name was The Andromeda Strain, a very spare science fiction thriller about a team of scientists isolating and analyzing an extremely deadly single-celled organism of extra-terrestrial origin. However, after a more serious effort written under a new alias, called A Case of Need - a murder mystery which featured an in-depth analysis of the issue of abortion - received widespread attention and won him an Edgar Award, Crichton decided to focus on writing rather than medicine.
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Wells and Arthur Conan Doyle.Īs a young man, Crichton wrote spy novels under the name John Lange to pay for medical school. Many credited him with inventing the techno-thriller, although he himself acknowledged precursors such as Jules Verne, H. His works often expressed a cynical view of corporate America and the scientific community. Toward the end of his life, his stories were becoming more political and thus controversial. The overall thrust of his books was the threat posed by blundering scientists who toyed with nature. He is known for his extremely technical writing style which openly favored scientific detail over character development and could be somewhat formulaic. (Octo November 4, 2008) was a bestselling American writer, most commonly working in the science fiction genre.